Jobseeker
On a June morning, sodden
and weepy, I came back
to the broo:
its accordion of tones
and teeth, the wild eyes
of hirsute residents.
Like a marsupial conceals
a cub, I cradle a book
of Armitage’s poems,
weaving through words
as electronic Job Points
gesture like madmen –
a few clicks and they know exactly how much
trouble you’re in.
Most of us pretend
we don’t have to be
here, delivering a haughty hymn
of honeyed triumphs.
Midway through the poem
‘Man with a Golf Ball Heart’,
I’m accosted by Neil: his thinning
silver hair and evocative paunch
cast a hostile shadow.
Come right this way, Mr Pedersen.
We meet with a collective pinkness,
his tongue a ticking indicator,
my words skidding tyres
racing through every ailment
neither of us have. The day
had been a diagram, until:
Is there anyone under your care
or who cares for you, on a full-time
or part-time basis?
At this point I crumble.
Neil has broken me.
Would I be here if there was?
‘Jobseeker’ from Play With Me © Michael Pedersen. Reprinted by kind permission of the author and Polygon, 2013.
On a June morning, sodden
and weepy, I came back
to the broo:
its accordion of tones
and teeth, the wild eyes
of hirsute residents.
Like a marsupial conceals
a cub, I cradle a book
of Armitage’s poems,
weaving through words
as electronic Job Points
gesture like madmen –
a few clicks and they know exactly how much
trouble you’re in.
Most of us pretend
we don’t have to be
here, delivering a haughty hymn
of honeyed triumphs.
Midway through the poem
‘Man with a Golf Ball Heart’,
I’m accosted by Neil: his thinning
silver hair and evocative paunch
cast a hostile shadow.
Come right this way, Mr Pedersen.
We meet with a collective pinkness,
his tongue a ticking indicator,
my words skidding tyres
racing through every ailment
neither of us have. The day
had been a diagram, until:
Is there anyone under your care
or who cares for you, on a full-time
or part-time basis?
At this point I crumble.
Neil has broken me.
Would I be here if there was?
‘Jobseeker’ from Play With Me © Michael Pedersen. Reprinted by kind permission of the author and Polygon, 2013.
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